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David Collin

The birthing took place in a railroad station in a remote area of the sierra mountain range, a transitional environment befitting a nomadic mindset.


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He became fascinated with shamanism at age 10, reading anything he could find from comparative religion to anthropology, the search for meaning and the understanding of a reality which is hidden became a piece of materialized consciousness defining his future path. Absorption in the Mayan number system and its linkage to the musical scales became a portal into composition at age 13.


A transcendental awakening during an improvisational music session at 15 made real the true power of music and sound in creating parallel realities. The influences and exposure to Indian music masters and a chance encounter with Charles Mingus led to his free improvisational breakthrough utilizing electronic instruments and multitracked tape collage as a performance tool creating musically based sound environments often accompanied by projected imagery of his own creation.

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Collaborations with artists and architects resulted in a number of installations now described as new media, both in Europe as well as in San Francisco, starting in the 1980's. David Collin's explorations are currently being expressed in the context known as Trip Tech, an audio experiment, a machine made of sound crossing the boundaries between mantra and language, poetry and music, thought and its objectified emotional expressions found in the realm of a metalanguage created with electronics, film, and light. A machine tuned for the creation and deconstruction of belief systems. A tool for building a techno-shamanic bridge into the unexpected.


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RFCL - Radio Free Clear Light ] JC Mendizabal ] Etanna ] Lydia ] [ David Collin ] Rick Perko AKA Vergot ] Matthew Shapiro AKA Samael ] Bret Stidham ] Ricardo Flores aka Caldo ] Sean Fenn A.K.A. Creed du Chat ] Patricia Elizabeth ]
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